How to memorize the triads (chords) of a major key (FREE PDF)

Publicado 2024-07-20
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How to memorize every augmented and diminished chord (like a PRO):    • How to memorize every augmented and d...  

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Todos los comentarios (5)
  • @rogeralleyne9257
    Part of "growing" in confidence as a musician is realizing that allowing our teachers/ mentors to demonstrate fundamental concepts for those who may need it without this need "to prove our own musicality" is essential!!!🤔 It took me awhile to figure that out quite honestly....but I have.. Namaste Ash 🙏🙏🙏
  • @ziegunerweiser
    i love the rhythmic implications of paying 3 over 4 and there's so many ways to play those 3 notes, it's fun to play over a rhythm and experiment with phrasing, note duration, rubato, the duration of how long you hold one note vs another, where you are putting the accent in the measure shouldn't always be on the 1, varying note speed, clusters of notes in spurts, play 5 notes then play 7 notes over 4 curious sound, and feeling the backbeat - just some ideas i like to play around with sometimes i pick up my violin but mostly piano practice I spend alot of time breaking modes into triads and penatonics then changing the chord and trying to make it sound melodic, creative scale practice is the majority of what I do with my instrument, when the chord changes it's fun to experiment with using altered scales or major minor or just the penatonic shape and adding passing tones - a concept I call fill in the blanks but as far as trying to be melodic triad is the best and most basic tool you have to build melodies with, ive been experimenting with bi tonal triad pairs, i think most modern music uses polytonal chords and experienced jazz musicians substitute these concepts into their improvisation along with the concept of tension and resolution even if youre only playing over 2 chords modulating the key can keep things interesting, brahms was a traditionalist but in a progressive way how clever he would modulate miroirs by ravel is absolutely stunning I remember how stunned I was the first time I heard it, so nice to hear you play it - his harmony is exquisite by far the finest music with the sharp 5 interval for me combined with le tombeau de couperin that he wrote, herbie hancock talks about ravel, i think for most people after you play beethoven and mozart ravel is like a breath of fresh air well that and I am partially self taught so i may be guilty or reinventing the wheel
  • This was very helpful could you make a video about how to do this in minor keys?