Why do Netflix Productions look like that?
170,911
Published 2024-05-18
Check out Motion Array - bit.ly/4aC1Kr5
Movie LUTs & LR Profiles - movieluts.com/
Color Grading Course - course.movieluts.com/
All Comments (21)
-
What's the reason a movie looks like sitcoms?
-
This is actually my biggest problem with 'Glass Onion'. Sure, it also has a weaker script than 'Knives Out', but visually, everything feels "plastic". In 'Knives Out', you could feel the light fog that clothed the Thrombey residence. You almost smell the leather on the chairs. In 'Glass Onion', the setting feels like the set of a sitcom.
-
I was waiting for someone to cover this issue.But apart from the points in the video I want to add one more aspect that is Color Grading. A filmmakers obsession with Cyan color tone can be a reason. No blue is pure Blue, No white is pure white, No green is pure green. They're all Cyan...
-
I had to cancel my Netflix because the cost to value ratio wasn’t there for me. They release a lot of mindless junk. The obsession with big name actors with shitty stories boggles my mind. I preferred it when they had a nice selection of broadcast ip, that I could binge.
-
-
You barely mention color grading/correction and camera lenses which are arguably more the most contributing factors to the tone or look of visual presentation.
-
I think Fincher's The Killer looks the most "cinematic" out of the movies that I've seen on Netflix.
-
Netflix is the Walmart of film production.
-
There is a lot of amazing Netflix content made by extremely talented people (there's also a lot of duds). Even if they devalued cinema a bit, I remember what tv shows and tv movies looked like before Netflix, and it's night and day. Considering the limited high quality cinematic experiences instead of endless franchise reboots, there are serious artsy quirky films I can watch from all over the world that Netflix played a hand in
-
They devalued cinema. They disrespect the artform. Money is important but art is happiness
-
Ironic that this video dogs on content only to be an ad for content creation.
-
The central idea of having a new movie to watch at every go is the biggest problem. Working with a subscription model also creates a void, as to keep the subscriber in you need to add in more ‘new content’. Movies need time, production needs value, the audience wants to watch 3 years worth of seasons in 1 go, something has to be sacrificed ‘Quality’ the larger the quantity, cut corners. You feel this particularly more in design (color grading, texture, feel, and motion)
-
I thought I was watching a Studio Binder video 😮 great video.
-
Movie LUTs text-to-speech doing a pretty good version of "How It's Made"
-
I just watched 1917 again and thought “wow- there’s never going to be a beautiful film like this ever again”
-
Remember when Netflix attempted to add an option to watch movies/series speeded up? That's the pinacle of showing how much non of this is art for Netflix, strictly 100% content...
-
This video was the first time I heard Dune was somehow a Netflix production? It's Warner Brothers and pretty famously premiered on Max during the pandemic.
-
8:56 Just slipping in “watches” as something people watch their films on 😭
-
Hey great video !! Could you perhaps let me know the track you used in the background in the end of the video ? Would mean the world to be if you could tell
-
You can also look at Furiosa and Atlas. Furiosa is a huge epic with a lot of costumes, set designs, and you see and feel attention to detail. Atlas is a hodge podge of ideas from elsewhere in a good enough looking package, but it's like watching a high level video game. It's just part of the overall bundle of content and not just an individual thing and thus it doesn't try as hard to please. On streaming, you see more care put into miniseries, that's where the medium really shines.
