Negative Space | Oscar Nominated Stop-Motion Animation | Short of the Week

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Published 2019-07-16
What it means to lose a loved one told through the art of a well-packed suitcase.

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Negative Space
A Film by Tiny Inventions (Ru Kuwahata & Max Porter)
www.tinyinventions.com/

Right at the outset, let me lay my cards on the table—this is a nearly perfect short. I qualify that statement with the “nearly”, only because I do not believe that art is a competition towards a platonic ideal. Though our site has taken on the challenge of serving as an arbitrator in questions of artistic and entertainment value, I still tend towards relativism in these matters. Taste is personal, and besides, perfection is often incompatible with innovation and risk-taking. Some of my favorite short films are decidedly imperfect and all the more enjoyable to me because of it.

But back to the point—Negative Space is practically perfect. Like so many shorts I admire, the film incorporates multitudes of seemingly contradictory qualities: at a mere 5 minutes, there is really no wasted space, and yet it is exceedingly spare. Based off a celebrated Ron Koertge poem that clocks in at only 150 words, it allows for moments of subtlety and contemplation that are so necessary in visual storytelling—those perfectly blocked shots, held for an extra moment, that drive home the rich emotional interiority of its characters. It’s simultaneously one of the most humanistic films of recent memory, but it also stars no humans. Its stop-motion animation is expressive, detailed and grounded, and yet it has no compunction about taking off on flights of fancy, segueing via delightful transitions into fantastical asides that play with scale and setting - S/W Curator, Jason Sondhi

FULL REVIEW: www.shortoftheweek.com/2019/07/16/negative-space/

CREDITS
Director / Writer: Max Porter & Ru Kuwahata
Production: Nidia Santiago & Edwina Liard
Co-production: Jean-Louis Padis

Original poem: Ron Koertge
Set Decoration: Ru Kuwahata, Marion Lacourt, Victoria Tanto, Max Porter
Puppets: Ru Kuwahata, Satoru Yoshida, Tomas Gebcyznski, Max Porter
Animation lead: Sylvain Derosne
Additional animation: Eric Montchaud, Ru Kuwahata
Cinematography lead: Nadine Buss
Additional cinematography: Simon Gesrel, Max Porter
Production / Post-production management: Nidia Santiago & Edwina Liard
Production Assistants: Philippe Baranzini, Walid Païenda, Fred Borja, Lucile Pellerin, Maxime Lebalanc, Juluien Renrad, Willy Fair

Post-Production: Max Porter, Sami Guellai, Pierre Morin, Ru Kuwahata
Editing: Max Porter
Music & Sound Design:Bram Meindersma **posée et enregistrée avec le soutien de la SACEM en association avec Ciclic
Voice:Albert Birney
Voice Recording: Keviln Hill, CAS
Color Grade:Thibaut Pétillon
Sound Mix: Matthieu Langlet

—Studio Providers—
Voice recording facility: Studio Unknown
Decoration: Ciclic Animation
Puppets: Moving Puppets
Animation: Ikki Inc., Manuel Cam Studio, Tiny Inventions
Post production: Ciclic Animation, Ikki Inc.
Color correction: Royal Post
Sound mix: Eclair
Typography: YouWorkForThem
Insurance: Gras Savoye
Bank: CIC
Accountant: Lebrun Audiovisual

Distribution: Miyu Distribution
Publicist: Fumi Kitahara

—Funding—
Avec la participation du Centre National du Cinéma et de l’Image Animée – Contribution Financière
Avec la participation d’Arte France – Unité de Programmes Cinéma
Avec le soutien de la Mairie de Paris en partenariat avec le CNC
Avec le soutien du CNC (Nouvelles Technologies en Production)
Avec le soutien de la Procirep et de l’Angoa
Puffin Foundation Ltd.
Marcella Brenner Grants for Faculty Research Development from Maryland Institute College of Art
La Maison des scénaristes

Negative Space has been supported in production by Ciclic-Région Centre Val de Loire, in association with the CNC. It has benefited of the support for original music creation by the SACEM in association with Ciclic. It has been hosted in Vendôme (France) from June 2nd to September 2nd, 2016, and from December 1st to January 31st, 2017. Ciclic is a public institution for cultural cooperation created by the Centre-Val de Loire Region and the French State. www.ciclic.fr.

Year: 2017
Country: FRANCE
© Ikki Films / MANUEL CAM Studio / Ikki Inc.

This film is reproduced on this channel with the permission of the rights-holders.

All Comments (21)
  • @shinyhead6548
    “look at all that wasted space" really impacted me
  • @themansu402
    Look at all that wasted space. All the time we could have spent. All the memories we could have shared. All the dreams we could have built.
  • @rowenayow2974
    Dunno who will read this, but to share, this film was made by Max Porter and Ru Kuwahata, a power animating couple. He was a professor of mine in college and he shared the process of it in class. The clothes were modelled off his own, and his wife Ru made each of the tiny replicas. The furniture in his tiny childhood home, is a replica of his own home, down to the fabric of the sofas. This was really about his dad. They spent a year in residency in Paris making this film. It was nominated for an Oscar the year after I graduated. I feel incredibly lucky to have seen it's process and to learn about his story. Thanks Max for everything!
  • @deepab8241
    "Look at all the wasted space" proves how imperfect the relationship was between him, his father and his mother. They were folded up tightly just like the clothes inside the suitcase alligned right in their space without even overflowing an inch of it. Everything was measured in teaspoons in that house. Perfection itself was measured out. Their life was PERFECT but lifeless.
  • @cheeeseforlife
    wait did you guys notice the part where his dad put him in the suitcase (2:06), his wristwatch left him and was swallowed by the waves of clothes. I think what could be interpreted here was how all this packing and all, stole precious time his dad could have spent with him instead. Woah this really is one brilliant creation. I am also having fun reading through the comments of various intreptations!
  • @pembasherpa6076
    When his father was leaving for temporary days he fulfilled all the spaces in his suitcase but when he left permanently he left all empty...which symbolizes our life..rather than filling our life with materilistic things ..fill with love and memories that lives forever 🧡.. This is what I learned from this short amazing clip... Do you agree with me?
  • @kavin_kumar
    Trust me, stop motion takes a lot of time and effort. A lot.
  • @fernfractal
    the single word his dad texted back expressed how much pain this boy felt, despite him not knowing it. the wasted space similarly expresses the pain & emptiness inside his heart, for hardly he knew his father at all.
  • @Sonakshi111
    While most people are trying to interpret the meaning, I’m just glad I came across this because I hate packing and this was very helpful. Not to mention the animation was beautiful beyond words
  • @GizmoMaltese
    Such a beautiful synthesis of visual and verbal poetry. The coffin was the last suitcase for the final trip.
  • @magazineart4675
    "Look at all that wasted space." When you only teach your child one thing in life....what do you expect for him to think when you are gone? Amazing story.
  • I pray that those kids who grow in negative spaces grow to be better parents even if they say you cannot give what you haven’t been given. Somewhere in our souls.. would guide us to give what we lacked.
  • @dansback8053
    Perhaps ‘look at all that wasted space’ is referring to periods of time in the past where time was not spent together. Opportunities wasted.
  • @ChelseaLupkin
    I need more serious animations in my life! Really amazing storytelling and I loved the stop motion! Who’s with me?
  • In won’t go into details, but I relate so much that this story literally spoke to me. Me and my dad always ‘bonded’ on some specific thing.. he wasn’t a particular affectionate person… at least he didn’t show it.. but behind those words he said there was always ‘something else’. My interpretation of “look at all that wasted space” is that after all these years of bonding ONLY about packing, it naturally all he can say to begin with.. thats what associate his dad with … so he naturally thinks that first… he’s probably trying to bond again (kind of when you talk with someone dead at. The cemetery over their grave )Also… he talks about ‘wasted space’ cause there’s definitely some sort of regret/disappointment… of not having lived a full relationship with the dad.. not having explored other feeling, experiences etc… but limited instead their most intimate father/son moments to talk about packing… instead of living it fully… so it’s kind of ‘wasted’. Also I’m glad Tiny Invention is doing great!!! I remember being a big fan of them whilst I was at uni.. I also interviewed the woman (can’t remember her name) for my dissertation… I remember the guys name tho! max .. easier to remember.. but I definitely won’t forget their lovely happy faces and great work! Well done Tiny Invention!!!
  • this is why I love short films because they can tell such a big story in a few minutes