The History of Godzilla (2014)

*Originally Uploaded on 3/17/24 - Taken down multiple times due to Warner Bros copyright claims. Apologies, I had to resort to using mostly screen shots when showing anything in the movie. If WB takes this one down too, I will be disputing it.

So Warner Bros don't realize this FREE PROMOTION! for the damn godzilla movie they got coming out next week! 🤷🏾‍♂️

10:23 In 1933, he was just a background monster. Many years later, he became the main villain of the 2017 movie Kong: Skull Island. This is the story of the Skull Crawler.

Warner Brothers taking this video down but not taking down the videos that show every single second of the kaiju scenes from Godzilla 2014 is crazy.

That 'kiss of death' moment equals the OG King Kong wiggling the dead T-Rex jaw. A equally righteous kill.

Honestly your videos gave me huge nostalgia for James’ GodzillaThon and it’s so great to hear you acknowledge it

Man, I remember the release of this film like it was yesterday. The hype was INSANE, and while the film itself didn't quite live up to my expectations, I still have fond memories of that time and being excited for a new American interpretation of Godzilla in theaters.

Im so sick of copyright disclaims especially as this video was made with love and passion for Godzilla and this Warner Bros produced Godzilla movie.

I'll never forget seeing this in theaters back when I was like 14 I think I had convinced my foster parents to take us after showing them the trailer, The lighting wasn't bad actually I think it was the first home release that got choppa'd. Probably my favourite tied with KOTM, hearing the different kaiju sounds in the imax speakers was just plain epic Godzilla really busted again after a decade of no busting, respect.

So excited for the Shin Godzilla video

They keep striking and I'm gonna keep rewatching it. Also this reupload didn't show up in my sub feed at all. Only noticed because it was on the homepage

I dunno who is more trivial at this point....Toho or Warner

I was on the og upload, sad to see them taking down for literally no reason. Also, commenting for the algorithm.

Splendid to see mention of Godzilla-Thon as I feel a lot of people got introduced and reintroduced to the franchise through that means in the early days of YouTube. I feel like this series truly has become the fitting successor, the type of video essay that I love to listen to over and over again. Absolutely fantastic work Bill, fantastic!

Man I'm sorry Big Action Bill, this video is so good it must be so frustrating that WB keeps taking it down. I commented on the original video about a sorta re-write that I think would fix some of the issues with the movie. I'll do it again but I'll keep it short. I have two pitches, 1. Joe dies but a tad later, and 2. Joe makes the credits. But before that, I have one extra scene addition to go over... - This hypothetical scene would take place right after the opening credit. We open with the people of the Philipines, a few of them are discussing the miners and the work they are doing, and how it just feels off, and how they may be responsible for the earthquake that took place a few hours earlier. we would then cut to a young child, watching the waves in the stormy night, they notices something in the water and they go to tell their parents. It's a rainy stormy night so we don't really see what is out there, but whatever it is makes landfall, and passes over the mountains. We only really see glimpses and shiloettes, maybe a quick shot with flashing lightning, something is curious about the recent events. Then the movie would cut to the next day and Serizawa/Monarch arriving. everything remains unchanged exept Serizawa sees some footprints along the island. This new 2-3 minute scene would do a few things to benifit the film. It would give the Audience and screenwriters what they want, Godzilla right away without revealing him fully. It also serves as a slight homage to the 54 film and establishes Godzilla as activeley aware of the M.U.T.O, he's not hunting it yet as its radioactive signature is too small at the moment. Establishing Godzilla like this would also help fix the whole "Oh btw Godzilla is in this movie, here he is now!" delema, as he sorta just shows up literally out of the blue, at least now his been set up as at least awake and aware of the change. The rest of the film plays out the same, up until the moment Joe dies, here's where my 2 pitches come in. 1. Joe dies, just a bit later. So here Joe survives his incounter with the MUTO, and actually learns about Godzilla, something I think was a huge mistake in the final film. He tags along with Ford, but being he isn't a military man, sorta holds him back. He's there with Ford on the monorail, and goes with Ford during the train scene. Here he is killed off by the Female MUTO. This would set up Ford wanting revenge of sorts in the final act, one MUTO killed his mom, the other his dad, and now they both threaten his remaining family. We would get a bit more Joe, and set up Ford more so he isn't so bland. But I think the 2nd pitch is better 2. Joe makes the credits. In this pitch, after the male MUTO wakes up and Joe is injured, Joe stays with Monarch on the S.S. Saratoga to recover and learn more about the MUTO and Godzilla while also giving some information and theorys of his own. Everything with Ford stays the same, maybe add a small scene with Ford and Joe having a small fight as Joe still refuses to move on despite knowing the truth now. Ford says his goodbyes to Joe and tells him he is going to to do exactly what Joe said, he's going to keep his family safe. Not too many extra scenes are needed here, just some interaction between Joe and Serizawa. Joe does and learns all he can, but he sorta has closure, FFord was right, he knows what happened to his wife and why. He realises his priority now is his own family, he needs to move on. With the help of the Admeral, he learns of Fords location and sets out to locate him. His son is putting himself in the direct path of these monsters, and Joe with his new found drive sets out to save his son. Joe reunites with Ford shortly after the train attack scene and the two together do the halo jump. It's such a beautiful scene, and it would show how much both characters are there for eachother, if they are willing to jump from a plane together. Now if you don't buy into Joe being able to do that, you could just as easily have him arrive in the city with the military, and reunite with Ford in the city. Joe's going in while everyone else is evacuating. Ether way, both men are in the city and working together. The rest of the movie plays out the same, though I'd actually have Joe blow up the MUTO nest while Ford and the others move the bomb to the boat. You could have a nobel sacrifice here but if Ford lives in the scene then so can Joe. Godzilla kills the MUTOs, Ford, El, Sam AND Joe share an embrace at the stadium, as a complete family. I think the second pitch would fix a few issues with the film, it would make us care more for the human drama, we would want to see this family come together again after splitting at the end of the first act. It's also thematically fun, as the MUTOS are also trying to build a family. The human drama would be less boring and even have some drive behind it. with these small changes we effectiveley give the audience and screenwriters what they want first up without spoiling anything and setting up the tone. We also keep the human story from growing stale.

They keep striking the video, I'll keep rewatching. My view is... Inevitable

I loved this movie and I still love it to this day. Without this film I wouldn't have been a Godzilla fan today, I remember initially being afraid of Godzilla as a kid but after watching this film in theater's both my life and mind changed forever (In a good way)

I have enjoyed this series so much! Ive been waiting so long to hear "up next, 2016's Shin Godzilla"

Come on Warner Bros leave Bill's fantastic video alone. Here's another one for the algorithm brother

Great job Big Action Bill, Thanks Zillions! I formed Whitecat Productions as a legal entity with which I could pursue my efforts to support the promotion of Banno-san's large format film efforts. I was appointed by him to be Co-Producer of Godzilla vs Deathla to the Max and also Co-Producer alongside with Kenji Okuhira and Brian Rogers of Godzilla 3D to the Max. In my 2020 interview with Brett Homenick, I provide a link to the Internet Archive of the official Godzilla 3D to the Max website which documents this. In the Summer 2022 issue of G-Fan, I provide the entire story of my involvement with Yoshimitsu Banno. Again many thanks for your professional journalistic approach to all of this.